Silence in Havana: The Art of Underestimating a Museum of Failure


Havana fell silent on January 5th, a date that will likely be forgotten by everyone except the families of the thirty-two victims and the professional observers who need a fresh hook for their tenure-track dissertations. The silence was, by all accounts, 'unfamiliar.' In a city where the primary exports are rhythmic nostalgia and government-mandated optimism, the sudden absence of music drifting from open windows is treated by outsiders as a seismic shift in the national psyche. We are told by the intrepid researchers currently on the ground—those brave souls venturing into the heart of the Caribbean to state the blindingly obvious—that this silence proves the United States 'underestimates' Cuba. It is a quaint, almost adorable notion, isn't it? The idea that if only the State Department possessed a bit more 'emotional intelligence' or watched a few more foreign documentaries, sixty years of calcified hostility would simply melt away like a cheap mojito in the tropical sun.
Let’s dismantle this 'underestimation' fetish that academics love so dearly. To underestimate something implies you are actually paying attention to it with some degree of sincerity. The United States does not 'underestimate' Cuba; it uses the island as a convenient, permanent punching bag to satisfy a very specific, very loud demographic in Florida every four years. To the American political machine, Cuba isn't a country of eleven million souls; it’s a prop in a never-ending stage play about the Cold War. It is a ghost story we tell ourselves to feel better about our own failing infrastructure and internal rot. 'Look,' the American pundits say with a straight face, 'their buildings are falling down and they have no internet,' while our own bridges collapse into rivers and our social fabric is held together by algorithmic rage and debt. The hypocrisy is so thick and syrupy you could spread it on a piece of rationed toast and call it a delicacy.
On the other side of this pathetic geopolitical coin, we have the Cuban government, a geriatric theater troupe that has been performing the same 'Revolution' script since before most of its population was even a glint in their parents' eyes. They command a national mourning for thirty-two lives—a genuine tragedy, to be sure—but they do so with the heavy-handed, performative solemnity of a regime that knows its only remaining power is the power to dictate the volume of the streets. They treat the resilience of their people as a virtue of the system, rather than what it actually is: a desperate, daily adaptation to the system’s total and systemic failure. When a citizen has to 'repurpose' an old fan motor and a piece of scrap metal just to keep a 1952 Chevy running long enough to find a gallon of milk, that isn’t 'underestimated ingenuity.' That is a cry for help from a nation trapped in a state-sponsored time capsule, overseen by men who think history ended in 1959.
The 'researchers'—God bless their naive, well-funded hearts—drive through the deserted streets and see a profound cultural statement in the shuttered shops and quiet restaurants. They hear the silence and think they have discovered a hidden depth to the Cuban soul that Washington has somehow missed. What they are actually seeing is exhaustion. The Cuban people are not some mystical, monolithic warriors of endurance; they are simply tired. They are tired of the U.S. embargo, a cruel and vestigial organ of a dead era that serves no purpose other than to provide the regime with a permanent excuse for its own incompetence. But they are also tired of being told that their poverty is a 'noble sacrifice' for a socialist dream that died in the 1980s. The silence in Havana isn't a message to Washington; it is the sound of a people who have run out of things to say to a world that refuses to view them as anything other than ideological data points.
Thirty-two people died, and the immediate response from the intellectual class is a debate about 'perception.' This is the hallmark of our vapid, self-obsessed century. We don’t actually mourn the dead; we use them as rhetorical leverage to prove that our geopolitical rivals 'don't understand' the nuance of the situation. The U.S. underestimates Cuba? No, the U.S. understands exactly what it is doing: it is keeping a wound open because it is politically profitable for both the Democrats and the Republicans to have a local villain. And the Cuban leadership? They understand that as long as they can point a finger at the 'Yankee Empire' for every shortage, they never have to explain why they’ve spent six decades building a museum of misery. Both sides are grifters, feeding off the corpse of a nation's potential while the 'experts' provide the play-by-play commentary from the safety of their research grants.
In the end, the 'unfamiliar silence' of January 5th will be replaced by the familiar, grinding noise of survival. The music will eventually start again, not because things have improved or because the 'underestimation' has ceased, but because silence is a luxury that the hungry and the oppressed cannot afford for very long. The researchers will fly back to their comfortable offices, write their papers about 'underestimated resilience,' and wait for the next structural failure or national tragedy to provide them with a fresh set of observations. The United States will continue to ignore reality in favor of electoral math, and the Cuban government will continue to preside over its crumbling inheritance with a clenched fist. We are all trapped in this cycle of performative concern and profound apathy. Humanity does not underestimate itself; it simply overestimates its own capacity to care about anything that doesn't fit into a thirty-second news cycle. Cuba isn't a mystery to be solved; it's just another casualty of our collective stupidity.
This story is an interpreted work of social commentary based on real events. Source: Asia Times