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Kremlin Censors Rave About Scathing Anti-Authoritarian Play As ‘Feel-Good Comedy Of The Year’

Buck Valor
Written by
Buck ValorPersiflating Non-Journalist
Saturday, January 17, 2026
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A hyper-realistic photo of a lavish theater box in St. Petersburg. Several stern Russian military generals and government bureaucrats are giving a standing ovation, wiping tears of joy from their eyes and throwing roses. On the stage below, illuminated by a spotlight, an actor dressed as a destitute peasant is cowering in fear while being yelled at by an actor dressed as a tyrant. The juxtaposition between the miserable scene on stage and the delighted government officials is high-contrast.

ST. PETERSBURG—Admitting that they rarely leave the theater with such a spring in their step, officials from the Russian Ministry of Culture announced Tuesday that the blistering political satire *The Kholops* has been officially designated a “heartwarming tribute to traditional management styles.”

Despite the play’s intended depiction of the soul-crushing machinery of state oppression, government censors have reportedly returned to see the production over a dozen times, praising the protagonist—a terrifying tyrant who psychologically breaks his subordinates—as a “relatable underdog” and “a role model for middle management.”

“Usually, modern art is full of degenerate Western ideas like ‘hope’ or ‘individual agency,’ so it is refreshing to see a story where the moral arc bends toward absolute submission,” wrote Chief Censor Ivan Volkov in a glowing five-star review for the state newspaper. “We laughed until we cried during the second act, where the serfs realize their only purpose is to serve the whims of a capricious master. It’s that kind of wholesome, family-friendly content that really brings a nation together.”

At press time, the play’s distraught director was reportedly seen frantically adding scenes of explicit treason to the third act in a desperate, failed attempt to get arrested.

This story is an interpreted work of social commentary based on real events. Source: NY Times

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