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The Shanghai Séance: Conjuring a Bull Market from the Corpse of an Economy

Buck Valor
Written by
Buck ValorPersiflating Non-Journalist
Wednesday, August 27, 2025
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A surrealist painting of a Chinese stock market ticker tape emerging from a crumbling, empty skyscraper. The ticker tape turns into a dragon made of fiat currency that is flying upward into a dark, void-like sky. Below, faceless bureaucrats in grey suits are frantically pumping a giant golden bellows into a cracked foundation of the building. The style is dark, satirical, and hyper-detailed, reminiscent of a cynical political cartoon.

The Shanghai Composite is currently performing a feat of fiscal necromancy that would make a medieval alchemist blush. While the actual, physical reality of the Chinese economy—the one where people live, work, and occasionally fail to pay their mortgages—is currently resembling a slow-motion car crash in a swamp, the stock market has decided to strap on a jetpack and blast off into the stratosphere of pure delusion. It is the kind of decoupling from reality that usually requires a heavy dose of hallucinogens or a PhD in Modern Monetary Theory. Either way, the results are equally nauseating.

Let’s look at the 'fundamentals,' a word that market analysts use to pretend they aren’t just reading tea leaves while wearing a Brooks Brothers suit. China’s property market is currently a graveyard of half-finished concrete skeletons, a monument to the hubris of thinking you can build a middle class out of debt and optimism. These are cities built for ghosts, funded by banks that are now sweating through their tailored shirts. Youth unemployment reached such embarrassing heights that the government simply stopped publishing the data, which is the bureaucratic equivalent of closing your eyes and hoping the monster in the closet disappears. In any world governed by logic, the charts should be trending toward the center of the earth. And yet, the tickers are green. Why? Because the People’s Bank of China has decided to treat the economy like a failing heart, applying the defibrillator paddles of stimulus with the frantic energy of a man who knows his job depends on the patient appearing to be alive, even if the brain has been dead for months.

This is the 'Great Leap Forward' of financial fiction. The CCP, in its infinite wisdom and desperate need to maintain the Mandate of Heaven (or at least the mandate of the local district committee), has essentially ordered the market to be happy. It is a command economy pretending to be a free market, which is like a ventriloquist act where everyone can see the performer’s mouth moving but they clap anyway because the alternative is being sent to a re-education camp or, worse, losing their shirt on a margin call. The stimulus measures—lowering reserve requirements, pumping liquidity into a system that is already drowning in it—are not a cure; they are a thick coat of gold paint on a crumbling dam. It looks impressive in the sunlight, but the cracks are still there, widening by the hour.

And then we have the Western observers, the 'smart money' vultures from Wall Street who are currently salivating over the 'upside.' These are the same intellectual titans who thought subprime mortgages were a sure bet and that cryptocurrency was the future of civilization. They see the surge in Chinese stocks and their reptilian brains light up with the Pavlovian response of a gambler at a rigged roulette wheel. They do not care that the underlying economy is a hollowed-out shell. They do not care that the 'growth' is a manufactured hallucination. They just want to be the ones who exit the burning theater first, hopefully after selling their tickets to some poor sap who thinks the smoke is just atmospheric lighting. Both the Chinese state and the global investor class are locked in a dance of mutual deception, each pretending the other has a plan when they’re both just praying the music doesn’t stop.

The absurdity is breathtaking. On one hand, you have an authoritarian regime trying to bribe its way out of a systemic collapse of its own making through sheer, brute-force liquidity. On the other, you have the global capital markets, those supposed bastions of cold, hard logic, chasing a bubble because they’re bored with their own domestic stagnation. It is a marriage of convenience between two groups of people who deserve each other: the liars and those who are desperate to be lied to. The narrative is that 'China is back,' but anyone with a pulse can see that China is merely being propped up by a series of expensive strings and a very loud public relations department.

The 'defiance of gravity' is a charming metaphor for journalists who want to avoid using the word 'fraud,' but gravity is a persistent bitch. Eventually, the physics of reality catch up with the metaphysics of the market. You can pump as much liquidity as you want into the pipes, but if the house is built on a sinkhole, the basement is still going to flood. The Shanghai Composite’s rise isn’t a sign of health; it’s the frantic twitching of a nervous system under extreme stress. It is a carnival barker screaming that the bearded lady is actually a princess while the tent is literally on fire behind him.

So, what’s going on? Nothing new. It’s just the latest chapter in the long, pathetic history of human greed and institutional incompetence. We have reached a point where the 'economy' is just a video game played by people who never have to live with the consequences of their high scores. Whether it’s Beijing’s desperate central planners or the lobotomized algorithms of New York, everyone is complicit in the charade. They’ve turned the global financial system into a suicide pact where the only goal is to make sure the music keeps playing until they’ve found a comfortable place to sit. It’s not investing; it’s a ritualistic sacrifice of the future for a slightly better Q4 report. And we, the captive audience, are expected to applaud the spectacle while our own wallets are slowly devoured by the same machine.

This story is an interpreted work of social commentary based on real events. Source: The Economist

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