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The Erasure of Inconvenience: Hong Kong’s Latest Judicial Performance Art

Buck Valor
Written by
Buck ValorPersiflating Non-Journalist
Wednesday, January 21, 2026
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A hyper-realistic, dark, and cynical illustration of a courtroom in Hong Kong. A giant, faceless judge in red robes looms over a tiny defendant. The judge is holding an oversized eraser, scrubbing away a ghostly image of a candle flame from a history book. The courtroom is filled with empty seats, representing the silent world watching. Cold, industrial lighting, cinematic shadows.
(Original Image Source: abcnews.go.com)

In the grand tradition of authoritarian insecurity, we find ourselves once again peering into the sterile, air-conditioned vacuum of a Hong Kong courtroom. The latest season of 'National Security Theater' features the former organizers of the Tiananmen Square vigil, those brave or perhaps merely delusional souls who thought that light could actually penetrate the thick, humid fog of state-mandated amnesia. It is a spectacle of the highest order, a judicial exorcism designed to purge the lingering ghost of 1989 from the city's collective consciousness. The trial, which opened this Thursday, is not a search for truth but a funeral for it, conducted with all the grim efficiency of a slaughterhouse floor.

The charges, for those who still bother to read the script, involve 'inciting subversion of state power.' It is a phrase that carries the heavy, dull thud of a lead pipe. Apparently, the mighty Chinese state, with its hypersonic missiles, its pervasive social credit surveillance, and its iron grip on global manufacturing, is so remarkably fragile that the mere suggestion of remembering a massacre could cause the entire edifice to crumble like a poorly constructed apartment block in a provincial capital. One must almost admire the fragility; it takes a special kind of neuroticism to be terrified of a candle. The prosecution's case rests on the idea that holding a vigil is an existential threat to a nuclear power. It is a hilarious premise, provided you aren't the one sitting in the dock.

Let us look at the defendants, the likes of Chow Hang-tung and her cohort. They are being processed through a system that has long since traded its wigs and English common law heritage for a more efficient, streamlined subservience. The trial isn't about guilt or innocence—those concepts are as outdated as a dial-up modem. It is about the ritual of capitulation. It is a message to the remaining residents of Hong Kong: the past is a closed file, and anyone attempting to reopen it will find themselves filed away in a cell for a very long time. These organizers, with their quaint notions of civil society and historical record, are anachronisms in a world where the only permitted history is the one currently being typed out by a bored bureaucrat in Beijing.

The irony, of course, is that for three decades, these vigils were the only flickering evidence that Hong Kong was somehow different from the mainland. It was the 'One Country, Two Systems' version of a pressure valve. Beijing has decided that the valve is no longer necessary. They’ve replaced it with a lid and a heavy-duty welder. The rest of the world, meanwhile, watches with the kind of performative concern usually reserved for a celebrity’s public breakdown. We hear the familiar, pathetic bleating of the West—the US State Department will likely issue a 'grave concern' memo, and the UK will mutter something about the Sino-British Joint Declaration, a document that currently holds roughly the same legal weight as a used napkin at a dim sum brunch.

But let’s not pretend the West actually cares. Corporations are far too busy calculating how to maintain their supply chains to worry about the finer points of judicial independence in a territory they’ve already written off as a lost cause. The global markets have the memory of a goldfish and the ethics of a predatory loan shark. As long as the ports are open and the chips are flowing, the human cost of 'national security' is just another line item in the 'Cost of Doing Business' ledger. The Right screams about communism while buying cheap electronics manufactured by the very state they claim to despise; the Left tweets out hashtags of solidarity from phones made in the same economic zone that funded the suppression. It’s a perfect circle of hypocrisy.

What we are witnessing is the final, agonizing twitch of a dead dream. The trial is the funeral service for the idea that truth has a seat at the table of power. The judge, the prosecutors, and the carefully selected observers are all players in a kabuki play where the ending was written before the first candle was ever lit. They will argue over semantics and 'subversion,' while the reality remains blindingly simple: Power hates being reminded of its mistakes. It is the ultimate insecurity of the bully who cannot stand the sound of his own name being spoken in a tone he didn't authorize.

In the end, this isn't just about Hong Kong. It's about the universal human appetite for burying the unpleasant under a layer of concrete and bureaucracy. Beijing is just more honest about it than most. They don't bother with the subtle gaslighting used by Western democracies; they just arrest the memory-keepers and call it security. It’s efficient, really. Why bother winning an argument when you can simply delete the opponent’s ability to speak? As the gavel falls, the silence that follows won't just be the absence of noise; it will be the sound of a city finally learning that the only safe history is the one that never happened. The lights are going out, and honestly, the world is too distracted by its own reflection to notice the darkness.

This story is an interpreted work of social commentary based on real events. Source: ABC News

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